| 翻訳と辞書 |
| Kevin Browning ： ウィキペディア英語版 |
Kevin Browning
Kevin Thomas Browning (born September 19, 1978) manages creative and business development for Umphrey's McGee, the Chicago-based “Improg” band which has gained notoriety for merging its original style of progressive rock with improvisational techniques. Browning began his 15 year career with UM as the band's live Front of House and studio engineer, and has produced or co-produced hundreds of the band's live releases, studio albums, and DVDs. He has helped to create many of the band's signature events, brand and media strategies, and fan experiences.
==Sound engineering==
Browning has been Umphrey's McGee’s sound engineer, or “sound caresser”, since the band’s formation in December 1997. Kevin’s first attempt at mixing sound dates back to March 1998 as a freshman at the University of Notre Dame. During the previous semester in the fall of 1997, Browning recalls attending a house party hosted by a neighbor of his brother Christian. Kevin heard faint sounds of Phish’s Bathtub Gin being covered by the house band in the basement. Browning proceeded to follow the sound into the basement. It was there he first encountered then Tashi Station founders guitarist/vocalist Brendan Bayliss and bassist Ryan Stasik. After being captured by Tashi Station’s musical stylings long into that night, Browning found himself at nearly every Tashi show from that point forward.
Bayliss and Stasik then merged with keyboardist Joel Cummins and drummer Mike Mirro, who previously performed with Stomper Bob, a fellow Notre Dame rock band of Tashi Station. Together, Bayliss, Stasik, Cummins, and Mirro were the founding personnel of Umphrey's McGee. Browning continued to attend every Umphrey's McGee for the first two months. Kevin then came to the realization that as he was finding difficulty missing a single show, he might as well contribute his time and talents to the band’s betterment. So, his brother Christian approached Bayliss about having Kevin manage the band’s sound, and Bayliss embraced the proposition.
In March 1998, Bayliss and Browning met for a sandwich at the local Blimpie restaurant. During the meal, Bayliss taught Browning how to use the PA system that Umphrey’s was using at the time, a simple 8-channel Crate mixer with adjustable gain, bass, and treble only. As Browning had no prior mixing experience, Bayliss’s lesson was put into layman’s terms by showing which channel, for example, to kill in case of microphone feedback.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Kevin Browning」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|